Turbaned! Jikadiya Gargajiya

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Five years ago, my connection with Nupe Land began with a visit of condolences.  Alhaji Dan Galadima, brother of the late Alhaji Isah,  took me under his wing and introduced me to Nupe heritage and has been my mentor, friend and advisor throughout the years. From the start, I was enthralled with the diversity of traditional crafts in the area. Over the years, my journeys to Bida went from an interest in material culture and blogging about the experience to researcher of Nupe heritage, particularly, the study of glassmaking. All of which evolved into becoming an honorary member of the Masaga glassmaking community.  These rich and rewarding journeys culminated in the month of November 2019, that saw the acceptance of the title, Jikadiyan Gargagiya, Ambassador of Nupe Traditions  from His Royal Highness, His Royal Highness, Alhaji (Dr.) Yahaya Abubakar CFR, ETSU NUPE, Chairman of the Niger State Council of Traditional Rulers:

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Turbaned on November 17, 2019 by His Royal Highness, Alhaji (Dr.) Yahaya Abubakar CFR, ETSU NUPE, Chairman of the Niger State Council of Traditional Rulers

And a documentary filmed over the month of November:,Legacy of Bikini Glassmaking.

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On November 24, 2019, the Masaga glassmakers successfully unearthed glass, called bikini, which has not been produced for over 50 years. The secret formula, handed down for centuries by the Masaga forefathers, migrated from Egypt with this knowledge and settled in the area of Bida because of the rich silica sand, (told through oral history).  Only two, ninety year old men remain alive today who have seen this process in their youth. From this point of their memory, the documentary recreates the process of this Nupe heritage, nearly extinct in human memory and, it is said, the Masaga community to be the only people in the world who still can make glass  out of sand in an underground furnace .

 

 

The next picture and video are (swipe left)  from the Instagram page of the Remi Vaughan-Richard, the director of the documentary, Legacy of Bid Glassmakers (currently in production).

Below a video of unearthing glass, posted by the director, Remi Vaughan-Richards:

https://www.instagram.com/p/B5PwcdblM7D/?utm_source=ig_web_options_share_sheet

The turbaning set for November 17, 2019 was a grand ceremony that brought together dignitaries from every walk of life in Nigeria. The following are a variety of pictures as the crowds came together.

Then the turbaning, itself, best appreciated in a slideshow….

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Bahagadochi
(praise and respect for His Royal Highness) 

And if all the above is not thrilling enough, here is a turbaning archive, 1959, one year before independence from Britain. A durbar or parade after Ramadan and a traditional turbaning are the events presided over by the ETSU NUPE, Malam Muhammadu Ndayako dan Muhammadu.

copyscape-banner-white-160x56All Photographs and text are under international copyright laws. No re-use without the permission of Lesley Lababidi 2019.

For more information about Bida, go to:

Bida Glass: Bangles and Beads

Bling Bling in Bida

Bida Glass at Muséo Parc Alésia, France

https://nomad4now.com/2018/12/22/nupe-day-merit-award/

https://nomad4now.com/2019/10/06/red-walls-of-bida-the-book/

https://nomad4now.com/2019/10/31/between-two-rivers-bida/

https://nomad4now.com/2019/09/23/indigo-and-the-durbar/

Red Walls of Bida – The Book

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Since 2014, I have been involved with research, study, and promoting awareness of the splendid traditional crafts in Nupe Land, Bida, Nigeria. On this blog find the first of my reports.

Bida Glass: Bangles and Beads

Bling Bling in Bida

Bida Glass at Muséo Parc Alésia, France

The next step is a documentary so stay tuned! If you would like a hard copy of this book, please email: leslaba@yahoo.com

Shyllon Museum of Art

One and a half hours drive out of Lagos toward Epe town, eastward on the Lekki Motorway is a relatively small sign that marks our destination, Pan-Atlantic University. I have accepted the kind invitation of Hugh and Robin Campbell (Nigerian Field Society and AOT) to meet the designing architect and director, Jess Castellote, of the almost opened Yemisi Shyllon Museum of Art.

Our exuberant, over 60, host proudly states that he is beginning his second life.  After a full career as an architect, he recently completed a PhD in art history and has taken the position of director of the Shyllon Museum. His enthusiasm is infectious and our small group hangs onto his every word.

 

Dancer by Ben Enwonwu

Beadwork: contemporary and traditional royal crown of Yorubaland

What does it take to open the first of its kind university art museum in Nigeria? Vision,  donations, and dedication for starters! The vision began in 2014 when Prince Yemisi Shyllon proposed a university museum to house Nigerian art. Prince Shyllon has one of the most important private collection with an estimated 7000 works of Nigerian art and donated 1000 artworks (visit to Prince Shyllon’s private collection in 2012) to the museum with a donation toward construction and long term management of the museum. Prince Shyllon’s collection includes modern painting and sculptures by Ben Enwonwu, Bruce Onobrakpeya, Olanrewaju Tejuoso, Yusuf Grillo, Peju Alatise, Osogbo artists, and traditional art such as  bronzes from Benin and royal crowns of Yorubaland.

Mr. Castellote begins the tour by explaining the dimensions of the museum, it is a big square box, 30x30x11 meters with only two windows. The stained rusty-red concrete is reminiscent of West African laterite soil, which presents an impressive contrast against the vast open and green campus. The architecture is something like a fortress but Mr. Castellote explains the design allows for insulation against tropical weather, provides security, and gives the visitor a chance to leave the outside totally behind them and enter into an art experience without distraction. The indoor area is designed with open and fluid space so that the visitor can experience a work of art from different angles and levels. Mr. Castellote explains,“Spectators are a part of the spectacle.”

One of the two windows that look to the outdoors, beyond is the unfinished building that will be used as an art centre for youth.

The museum focus is to learn about Nigerian art and heritage through continuity from tradition to contemporary. The emphasis is on education programmes, which is intended to bring 25 students from various local public schools for 200 days of the year. With a purchase of a bus, youth will be collected from public schools to experience art in all its forms i.e. a special youth pavilion is being built for classes. (see above photo)

Olanrewaju Tejuoso prepares art installation at the entrance of YSMA

As we leave the museum, we meet Olanrewaju Tejuoso, a Nigerian artist whose work configures wood and discarded empty sachets water, biscuit wraps, and empty bags of processed foods, polythene and foils. This installation will be greet visitors. (Watch Olanrewaju’s video about discarded sachets of water in Nigeria and his art.)

Now Nigerians and visitors have a beautiful addition to its thriving art scene besides art galleries to appreciate an astonishing collection of Nigerian art. The official opening of Yemisi Shyllon Museum of Art is October 19, 2019.

Visits

From October 19th 2019, when the YSMA will be open to the general public, visits to the museum to experience the best of Nigerian arts will always be free to all thanks to the partners and friends of the YSMA from Tuesday to Saturday.

Hours

Tuesday 10am – 4pm
Wednesday 10am – 4pm
Thursday 10am – 4pm
Friday 10am – 4pm
Saturday 10am – 4pm