The following three videos chronicle the official visit of HRH Ewuare II Oba of Benin with  HRH Alhaji (Dr.) Yahaya Abubakar CFR, Etsu Nupe, Chairman of the Niger State Council of Traditional Rulers Read. This is a significant meeting between two powerful, traditional kingdoms of Nigeria. Take note of the Nupe traditional dance, the music particularly the flute and the durbar. This ceremony was held in Bida, Nigeria at the palace of the ETSU NUPE January 2020.

Above: The Oba of Benin arrives at the Palace of ETSU NUPE

Above: Kakaki trumpeters:

According to tradition the Atta of Igala, to whom the Nupe were subject in mid-fifteenth century, presented Tsoede, founder of the Nupe kingdom, with vari- ous royal insignia “including kakaki or the long royal trumpets” (Hogben & Kirk- Greene 1966:262). As this antedates their acquisition by both Songhai and Kano, which are considerably further north, while the Igala are to the south of the Nupe, one must choose between a southern origin, some form of instrumental leap-frog, or treat the story as legend. Since all evidence points to North Africa as the immed- iate source and simpler explanations are preferred to more contorted if they account for the facts, we are inclined to regard the story of Tsoede’s acquisition as later glorification of a past hero. There is, moreover, no evidence that the Igala ever had long trumpets; when the British 1841 expedition met the then Atta, his interest in the party’s bugle suggested unfamiliarity with both its “gold-like material” (Allen & Thomson 1848:303) and aerophones of longer dimensions. Recent research now dates the introduction of the Nupe kakaki from the reign of Etsu Majaya (1796- 1810)7, which accords with the hypothesis of a north-south diffusion, the trumpet entering Nigeria through Hausaland, whence it passed to the Nupe and so to the Yoruba.  – Gourlay, K.A., Long Trumpets of Northern Nigeria — In History and Today)

S.F. Nadel’s account of kakaki trumpeters in Bida (heart of Nupeland)  in 1930s:  “On Thursday night and again on Friday afternoon the Etsu rides in great state to the mosque in the town, and on Friday at his return holds a reception in his house …”. During the procession, with the “king and courtiers on horseback, in their sumptuous gowns … drummers are beating their drums, three mounted trumpeters blow the huge bronze kakati in an incessant deaf- ening chorus.” (S.F Nadel, A Black Byzantium London Routledge and Kegan. 1942.)

Five years ago, my connection with Nupe Land began with a visit of condolences.  Alhaji Dan Galadima, brother of the late Alhaji Isah,  took me under his wing and introduced me to Nupe heritage and has been my mentor, friend and advisor throughout the years. From the start, I was enthralled with the diversity of traditional crafts in the area. Over the years, my journeys to Bida went from an interest in material culture and blogging about the experience to researcher of Nupe heritage, particularly, the study of glassmaking. All of which evolved into becoming an honorary member of the Masaga glassmaking community.  These rich and rewarding journeys culminated in the month of November 2019, that saw the acceptance of the title, Jikadiyan Gargagiya, Ambassador of Nupe Traditions  from His Royal Highness, His Royal Highness, Alhaji (Dr.) Yahaya Abubakar CFR, ETSU NUPE, Chairman of the Niger State Council of Traditional Rulers:

The following is the only video that I have received of the turbaning. The video is taken from a bad angle but it is important in documenting the moment.

The turbaning was the highlight of the month spent in Bida while filming the production of bikini glass. A raw glass that had not been made for over 50 years by the Masaga glassakers. This film, Legacy of Bida Glassmakers, d

On November 24, 2019, the Masaga glassmakers successfully unearthed glass, called bikini, which has not been produced for over 50 years. The secret formula, handed down for centuries by the Masaga forefathers, migrated from Egypt with this knowledge and settled in the area of Bida because of the rich silica sand, (told through oral history).  Only two, ninety year old men remain alive today who have seen this process in their youth. From this point of their memory, the documentary recreates the process of this Nupe heritage, nearly extinct in human memory and, it is said, the Masaga community to be the only people in the world who still can make glass  out of sand in an underground furnace .

The next picture and video are (swipe left)  from the Instagram page of the Remi Vaughan-Richard, the director of the documentary, Legacy of Bida Glassmakers (currently in production).

Below a video of unearthing glass, posted by the director, Remi Vaughan-Richards:

https://www.instagram.com/p/B5PwcdblM7D/?utm_source=ig_web_options_share_sheet

The turbaning set for November 17, 2019 was a grand ceremony that brought together dignitaries from every walk of life in Nigeria. The following are a variety of pictures as the crowds came together.

Then the turbaning, itself, best appreciated in a slideshow….

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Bahagadochi
(praise and respect for His Royal Highness) Read, here

And if all the above is not thrilling enough, here is a turbaning archive, 1959, one year before independence from Britain. A durbar or parade after Ramadan and a traditional turbaning are the events presided over by the ETSU NUPE, Malam Muhammadu Ndayako dan Muhammadu.

All Photographs and text are under international copyright laws. No re-use without the permission of Lesley Lababidi 2019.

For more information about Bida, go to:

Bida Glass: Bangles and Beads

Bling Bling in Bida

Bida Glass at Muséo Parc Alésia, France

https://nomad4now.com/2018/12/22/nupe-day-merit-award/

https://nomad4now.com/2019/10/06/red-walls-of-bida-the-book/